Saturday, February 14, 2009

Identifying What is Culturally Unacceptable

Last Wednesday I came across something interesting. My father and I were trying to kill time. We were waiting in line for what seemed like an eternity to get my learner’s licence. Actually, it was a mere four hours... I can’t believe the Royal Oman Police still operates old school! Yes, they still enter forms manually, set up records on paper, and store them in box files. I appreciate the attempt to preserve tradition in a world that is rapidly gearing toward total globalization and modernization, but they could have reserved the show for another Muscat Festival; because that system is sure as heck highly ineffective. Anyway, the incredibly time-consuming wait at the licence office was not what I found interesting. It was something that my father said when he had run out of things to say in those four precious hours that were used for parent-child bonding: he wanted to know how my drawings were progressing.

The Sri Lankan Social Club here in Oman is organizing an Art and Photography exhibition somewhere in Muscat the coming month. And yours truly is to contribute a few of her pencil drawings to the collection. Now I’ve been working quite hard on those pictures, and meeting deadlines has never been my thing. In fact, I’ve grown to sort of purposely turn in things well past their due date. However, I figured that the exhibition wasn’t exactly going to wait for me, unlike a term paper or report (which my teachers just couldn’t refuse, even if they were turned in late, since I presented them with my best and most persuasive angel-face...). So yes, I’m dealing with it this time. And downing much caffeine in the process.

But I digress! I’m sorry, I have a tendency to ramble. Getting down to the point, here’s the conversation between my father and I that I would like to share:

Dad: “So, how are your drawings going?”

Me: “Good.”

Dad: “What are you working on right now?”

Me: “A male figure.”

Dad: “You’re not allowed to draw nudes.”

Me: “WHAT??! But this guy doesn’t have anything exposed!”

Dad: “You still can’t draw nudes. It’s against the exhibition rules.”

Me: “Are you serious? What the hell kind of exhibition is that?!”

Dad: “I don’t know ‘what the hell’ but those are the rules. The committee declared that art involving nudes were culturally unacceptable.”

Culturally unacceptable my ass! Yes I was seething when he said that, and we didn’t talk for another two hours as I took in the whole point. Culturally unacceptable?
There are two things, besides not informing me about the rules earlier, that annoy me to no end.


  1. The study of the human body is one of the fundamental topics covered in art schools around the world (and I’m sure in Sri Lanka as well). Banning art on this particular area is like taking away the freedom of an artist to express his/her ideas and feelings. The human body, being such a vast subject, is capable of conveying so many emotions. I don’t like landscapes or abstract art much, and still life and the human body is what I love to do. Yet I can no longer show anybody what I am truly capable of. I cannot twist and turn a body, play with shadows and light, and push the expression of a pose or the face of the figure to its limits. In short, I feel caged and very very angry.


  2. The second reason is probably the most annoying. It’s the fact that certain people still view nudity as culturally unacceptable. What is it about the human body that people of my culture cringe away from? What is it about themselves that they do not wish to see? Is it being born naked like everybody else? Is it that they feel inadequate under their clothes? Or is it that they view the human body as something ugly and perverted?


As far as culturally unacceptable is concerned, I personally think that there are worse things than nudity that the Sri Lankan people should be ashamed of. And one of those things is the fact that most Sri Lankans lack the simple courage to stand up and speak out against an injustice. Sri Lankans like to sit in the comfort of their homes and point and blame and curse the government for not doing anything about the situation. They criticize the president, yet provide no solution to the country’s situation. They don’t vote, however they claim the right to complain about the guy in charge of their district. If they object to something worth objecting to, they just do it all in the privacy of their homes. Voices go unheard. A chance for change just passes them by. Our country is regressing. So who’s to blame?

So, while most Sri Lankans in Oman are worrying about whether an artist puts up a drawing of a nude, I’ll be teaching my students to stand up for what they believe in.

Oh and yes, I will be addressing this at the exhibition.

I will stand up for what I believe in.

Happy Valentine's Day!

To all my buddies, and those I have not yet met... and those I avoid... Here's a very meaningful poem written by Hidan to Kakuzu which I dedicate to all of you on this very very special day. Happy Valentine's day! (This is why I love Hidan!)

* Kakuzu and Hidan (c) Masashi Kishimoto, from Naruto

Dear Kakuzu, As your long time partner, probably for all eternity, I just wanted to, well, let you know that...

When you are blue, I will attempt to dislodge whatever is choking you.

When you smile, I will know that you are plotting something that I must be involved in.

When you are scared, I will blackmail you about it every chance I get.

When you are worried, I will tell you horrific stories of how much worse it will get, until you quit your whining.

When you are confused, I will use small words.

When you are sick, I will yell at you to stay the heck away from me until your better. Like I want whatever you have.....

When you fall, I will laugh my head off at your clumsy *** until i die of suffocation (Yeah Right)

Have a happy holiday with all your ugly pagan idols, Hidan




The above drawing was done by the ever so talented artist, whose page you should - MUST - check out at: http://gaarasbabe.deviantart.com/

Saturday, February 7, 2009

Napping in Public Places

Today was toublesome.

It was to be my last day at the Sultan Qaboos University. I had to turn in my trainee badge, make sure they scratched my name off the trainee list, and collect my 'successfully lab-trained for a month' papers. (Do I sound like a guinea-pig?)

Consequently, I wasn't planning on spending the usual five hours on campus, and had asked the driver to pick me up at 1.00pm. However, like it is said in Murphy's Law, things didn't really go anywhere near as expected...

In the one month that I spent as a trainee at the Sultan Qaboos University, I learnt one very very important thing besides conducting and interpreting immunological and serological tests: you can't nap on campus. And, being the very observant and analytical Sherlock I am, I've come up with a (short) list of reasons why:


  1. Nobody sits with their feet up.
    I suppose everybody here is very well mannered and civil, or it's another one of those unspoken rules I wish people would warn me about! But what's a bum like me, who suffers from a bad case of self-diagnosed restless leg syndrome, got to do in a place like that? Endure and suffer... I suppose...


  2. There are no benches with back rests at SQU.
    What does the community have against benches with back rests???!! Well, if there are any, I sure as heck didn't see any. hmph!

    Oklahoma State University had a wonderful collection of benches in the most scenic spots on campus. They were positioned in very seasonal locations too ^^ For example, the Theta Pond benches would be the perfect summer napping spot, complete with fountains, shady trees, and noisy geese. And then there was the rainy-season napping spot at the student union, under a roof, free from the downpour. Ah...


  3. You can't nap on campus without people staring at you.
    It's terrible, but I tried getting some sleep in various locations on the SQU campus. I tried the benches outside, the maze, and even the student lounge. People stare.

    I suppose it's karma... I remember staring at nappers back at OSU...


Ah well, my driver came to pick me up an hour later than he said he would, and I was stuck at SQU trying to kill that extra time and avoid falling asleep...

_____________________________________________________________
Now that I no longer have to drag my bum out of bed at six in the morning, I'm back on the night shift, and have set 'strict' goals about completing my art commissions and exhibits.

Argh! The exhibition was - thankfully - postponed to somewhere in March, yet it hasn't really made much of a difference because I'm still where I was in November. grrrr

Deviant Art also has a few contests - which I will be participating in of course - and I owe my cousin a 'shocking' piece of art. I'm surfing DA for some awesome nude photos. Yes, I plan on shocking her till the cows come home...

And below is a wonderful piece of art by a very talented artist on DA. You can find her Deviant Art profile and look at her gorgeous gallery here:
http://bergundy-black.deviantart.com/

Oh, and if you didn't know already, this smexy picture is that of the one and only HIDAN! Yes! Hidan. Akatsuki. Immortal. And SMEXY. ;)


Monday, February 2, 2009

Transient - Chapter 1b: Autumn Clouds

Shikamaru yawned. It was getting late, and the heat was maddening. It was making him sleepy. He waited, his back leaning against the wall of somebody else’s house.

Konoha was getting ready to turn on its street lamps. Workers trudged silently to their homes. The Shogi boards were brought out into the doorways and families gathered around to watch the game. Children were dragged, kicking and screaming, by their parents, who in turn complained loudly about how they would have to device new methods to remove the dirt stains out of the young ones’ dirty garments. Old men took out the bottles and croaked to a lousy meaningless tune. Birds settled in their nests and the cats came out of their slumber.

The ambassador is late.

Shikamaru scratched his head and turned his gaze upwards to look at the reddening evening sky. The chuunin stood there silently as he watched the golden whispy masses float above him.

The clouds had always been a big part of Shikamaru’s life. They looked so free and detached, floating at their own pace, unperturbed by what went on around them. They mingled and morphed, but never seemed to mind. They had no friends or family to protect and worry about, no G-cupped hokage to take orders from, no deadlines, and no alarm clocks. They were everything that he couldn’t find on earth.

“Sorry I’m late.”

Shikamaru turned towards the familiar voice and yawned.

“Hey,” he grinned, scratching his head once more. Temari smiled apologetically as she walked towards him.

“Watching the clouds again I suppose?”

“The usual.”

Temari smiled. Shikamaru’s gaze turned back onto the clouds.

“You look so philosophical.”

The chuunin laughed.

“Hmm.” Temari followed his gaze and settled her own on the golden shapes. “Why do you do it?” She had asked him that question many times before, but this was probably the only time he was awake to hear her say it.

He turned to look at her. She was looking up intently at the sky, the golden rays dancing in ripples on her skin, trying hard to figure out what he had been looking at. He smiled.

“What do you see in them?” She asked once more, still not taking her teal eyes away from the object of her fascination.

He laughed and cupped his hands behind his head. “I just like watching them. Up there it seems like a whole other world, one that’s free from war and noise and sorrow. Even when it rains, it looks so… other-worldly. The earth and the sky… they are two different things. Like oil and water. They don’t mix. Sometimes…” His voice trailed off into a contemplative whisper.

“Sometimes?”

“Sometimes I wish I were one of those clouds. It’s like… it’s like this freedom that you can’t find anywhere else on earth.”

“Freedom?” She thought about it for a moment. “Is there something holding you down here?”

“Hmm.” He stole a sly glance at the jounin. “Lots of things,” he replied, shifting his gaze to his feet. “Well,” he added quickly, straightening up. “We should get going before it gets dark.” He proceeded to walk in the direction of the Konoha gates, his hands still cupped behind his head. Temari silently followed him, her mind still fixed on what he had said about the clouds.

Shikamaru was assigned to escort Temari, Suna’s ambassador to Konoha, back to her hometown. Usually Shikamaru would just walk with her up to the gates, after which she continued the rest of the journey on her own. However, the conferences had taken unusually long today and Temari had to commence her journey home late.

The evening sky looked bright and burning just now in Konoha, but she knew it would be black and chilly when they reached Suna. The desert was always harsh. Daytime brought searing temperatures and scorching winds, while the nights brought stillness and biting cold.

Shikamaru glanced at her and smiled. She was still searching the sky for something out of reach. He reached for her hand and took her gently by the wrist. “What are you looking for up there?”

Temari gasped at his touch. She felt his fingers grip her. They were gentle, not rough. His touch didn’t hurt her. His touch was different.

Not like his… His grip was different…

Memories that she had pushed to the back of her mind began to slowly resurface. She remembered clearly how he had held her wrists in the rain, demanding, almost begging her to…

No!

She felt his fingers tighten around her wrists. She felt her arms going numb. She remembered the violet eternity that was his eyes. His voice…

No!

Temari gasped again. She looked at Shikamaru confusedly. “What…?”

Shikamaru’s thumb softly caressed her wrist-bone. He was still smiling. “Well… I only asked what you were looking for up there. You seem to be a little preoccupied with watching the sky tonight.” He chuckled. “Thinking of taking up the hobby after me eh?”

Temari lowered her eyes and forced a smile. “I don’t know…” Her voice was a whisper.

“Hmm?” Shikamaru leaned forward towards her.

“I don’t know… what I’m looking for. May be it’s like you said… freedom?”

“Freedom? From what?” His expressive eyebrows arched pointedly conveying a rare quizzical, yet concerned, expression on his usually unenthusiastic features.
She averted her eyes. She couldn’t tell him. She didn’t know what she felt herself. It was hate, she told herself over and over. But sometimes she wondered if it really
was hate.

She still heard his voice in the depths of her dreams.

Wait for me…

She had waited. She still waited. He was the reason she woke up every morning. The chance to see him again, to hurt him, to loathe his existence; that was what kept her going. But she wasn’t sure if it was loathing. Not anymore. The many months that had passed had changed something in her.

He saved me…

But he had saved her only so that she could have another chance to kill him. Yes, he wanted so badly to die. And he had chosen her. He had chosen her to be the one tormented and mentally tortured so much that her will to kill him would consume her. It would consume her so much that she would finally be able to do it, finally be able to complete his selfish desire to end his life and test his faith. But she knew she couldn’t. It wasn’t because she refused to give him the satisfaction of finally getting what he wanted. It was just that she couldn’t.

He played with her mind even when he was not around. He held a strange power over her; a grip over her very existence that she had tried so hard to shake.

You bastard.

“Temari?”

Let me go…

“Nothing, it’s nothing.”

Freedom… from you…

“Really…?”

Yes, that’s what I want… That was what I was looking for… up there…

Temari looked up and smiled at Shikamaru. His look of genuine concern touched her. “Yes, really. I don’t really know what I’m looking for up there. But I suppose I do agree with you, about the whole thing being very other-worldly.”

And today the clouds are red…

Shikamaru grinned and started to walk, her hand in his. Something was bothering her, he knew it. He could feel it. But he didn’t feel like dwelling on it. Working out a woman’s mind was a scary project, even if it was Temari. No, it was scarier because it was Temari.

She glanced once more up at the sky as it grew darker by the moment.

The clouds. The clouds keep morphing and moving.

She stared at the red swirl at the back of Shikamaru’s chuuunin vest as he walked slightly in front of her. “Tell me, genius, what good is a world of peace and tranquility if everything in it keeps changing?”

“You know, everything could just change for the better.” He laughed inwardly at her sudden equivocally philosophical mood she had decided to adopt for the day.

“But it doesn’t ever work that way, does it?”

“Not always, but that’s the beauty of change. You don’t really know when it’s going to get better.”

“It’s not fair…”

“It’s troublesome, but that’s just how things are.”

Tch!

Modern Shikamaru

Modern Shikamaru
My silly version of Konoha's Shadow nin. Another photoshop trial. Came out pretty alright though I'd say :D

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Easy-going, fun-luvin' numba one Naruto fan. Love drawing, chocolates, the beach, anime, and Roronoa Zoro (teh smex!). And whatever else you want to know I suppose you'd find out in time =^-^=

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